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Note from the Shuang Lin Restoration Secretariat: “Little has been done in Singapore to educate people on the preservation of old buildings. It is unsurprising then that few regard preservation as being worthy of attention. What follows is an extract from a speech by a famous Chinese architect, Professor Liang Sicheng. It is our hope that it will help the reader to see that old buildings form an important part of our cultural heritage, and in the process appreciate what has been done in the Shuang Lin Restoration Project.
A building is a dwelling put up by people to solve the problem of housing. Over the ages, with advances in experience, knowledge and wealth, such dwellings have increased in sophistication.
The above explains what a building is, and the process emphasize that buildings are an important representation of the culture of different peoples. Preservation is important because through these old buildings, we acquire a stronger understanding of the past, and so become wiser in the present.
Let’s celebrate 30 years of ‘The Nara Document of Authenticity’ together!
Join us at the National Archives Singapore (Oldham Theatre) for a special event celebrating “The Nara Document of Authenticity (1994)” turning 30! This in-person symposium will feature speakers from Singapore, Taiwan, the United Kingdom, and the Philippines, highlighting the importance of this influential document in the field of architectural conservation. Don’t miss this opportunity to learn, connect, and celebrate with fellow enthusiasts!
The Nara Document has been instrumental in addressing the need for a broader understanding of cultural diversity and heritage. It expanded the 1964 Charter of Venice concept of respecting original material, thereby emphasising the retention of material fabric in its original state. The Nara Document’s “authenticity judgements … may include form and design, materials and substance, use and function, traditions and techniques, location and setting, and spirit and feeling, and other internal and external factors. The use of these sources permits [the] elaboration of the specific artistic, historic, social, and scientific dimensions of the cultural heritage being examined.”
Thirty years have passed since 1994. The world’s resources are getting scarce. With the challenges of the loss of certain materials (e.g. large-size timber), changes to use and function, declining craftsmanship, as well as changes to the setting, do we prioritise form and design and allow materials to be changed in an attempt to retain the spirit and feeling? Or are these futile efforts? How do we view authenticity?
Register at https://www.eventbrite.sg/e/the-nara-document-at-30-tickets-1086667163739