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In 1971, the Singapore Tourism Board (STB) proceeded with the plan of the Suhang Garden, which proposed to classify Shuang Lin Monastery as a tourist attraction. This culminated in the construction of a lake, a stone bridge and a stone mountain in front of the Hall of the Celestial Kings, with the area being named as Shuang Lin Garden. It was only then that the task of building the pagoda was stopped. In early 1972, Venerable Long Gen concluded his three-year retreat, for which a welcome ceremony was held. In the middle of 1972, the Symposium on the Design and Construction of Shuang Lin Monastery was held in which individuals from the arts and cultural sectors were invited to participate.
In 1974, STB launched the opening ceremony of Shuang Lin Garden.
In 1975, Master Tham Sean took over as the 13th abbot. Master Xiong He, abbot of the Medan Temple in Indonesia (who is also one of the members of the board of trustees of Shuang Lin Monastery), feared for the collapse of the halls when he saw the shedding of the roof tiles in the Dharma hall. Hoping to restore the Dharma hall to its original style to allow the flourishing of Buddhism, he made a generous offer to sponsor the costs of rebuilding the Dharma hall as well as the underground ordinary tower. It was a pity that at that point in time the craftsmen from Fujian, China, were not available for hire. Given the consideration of the safety issue, the task of rebuilding was not to be delayed. In the end, they decided to assign the task of rebuilding the Dharma hall to the local construction contractors with Master Tham Sean overseeing the project, while at the same time maintaining the drum tower. In 1980, the Preservation of Monuments Board announced Shuang Lin Monastery as the 19th national monument, making it the only Buddhist monastery to be given the status of a national monument.
Let’s celebrate 30 years of ‘The Nara Document of Authenticity’ together!
Join us at the National Archives Singapore (Oldham Theatre) for a special event celebrating “The Nara Document of Authenticity (1994)” turning 30! This in-person symposium will feature speakers from Singapore, Taiwan, the United Kingdom, and the Philippines, highlighting the importance of this influential document in the field of architectural conservation. Don’t miss this opportunity to learn, connect, and celebrate with fellow enthusiasts!
The Nara Document has been instrumental in addressing the need for a broader understanding of cultural diversity and heritage. It expanded the 1964 Charter of Venice concept of respecting original material, thereby emphasising the retention of material fabric in its original state. The Nara Document’s “authenticity judgements … may include form and design, materials and substance, use and function, traditions and techniques, location and setting, and spirit and feeling, and other internal and external factors. The use of these sources permits [the] elaboration of the specific artistic, historic, social, and scientific dimensions of the cultural heritage being examined.”
Thirty years have passed since 1994. The world’s resources are getting scarce. With the challenges of the loss of certain materials (e.g. large-size timber), changes to use and function, declining craftsmanship, as well as changes to the setting, do we prioritise form and design and allow materials to be changed in an attempt to retain the spirit and feeling? Or are these futile efforts? How do we view authenticity?
Register at https://www.eventbrite.sg/e/the-nara-document-at-30-tickets-1086667163739