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After many years of observing pure practices, Master Xian Hui decided to go on a pilgrimage to Buddha’s homeland. In 1892, 12 members of the Xiao family of male and female departed from Xiamen by boat, travelling first to India and then to Sri Lanka. The pilgrimage enabled them to recall significant events involving the Buddha, brought clarity into Buddha’s teachings, practices and liberation. Pilgrimage is a meditation in motion that designed to connect us with the ideal of awakening for the benefit of others. So, while awakening to one’s nature, we must work to help others realize these elements are two sides of the same coin in the principles of Chan. Only then, we can appreciate the Buddha’s wisdom such as the four noble truths, eightfold path and Bodhisattva way along the way, ensuring a lifetime of happiness.
Let’s celebrate 30 years of ‘The Nara Document of Authenticity’ together!
Join us at the National Archives Singapore (Oldham Theatre) for a special event celebrating “The Nara Document of Authenticity (1994)” turning 30! This in-person symposium will feature speakers from Singapore, Taiwan, the United Kingdom, and the Philippines, highlighting the importance of this influential document in the field of architectural conservation. Don’t miss this opportunity to learn, connect, and celebrate with fellow enthusiasts!
The Nara Document has been instrumental in addressing the need for a broader understanding of cultural diversity and heritage. It expanded the 1964 Charter of Venice concept of respecting original material, thereby emphasising the retention of material fabric in its original state. The Nara Document’s “authenticity judgements … may include form and design, materials and substance, use and function, traditions and techniques, location and setting, and spirit and feeling, and other internal and external factors. The use of these sources permits [the] elaboration of the specific artistic, historic, social, and scientific dimensions of the cultural heritage being examined.”
Thirty years have passed since 1994. The world’s resources are getting scarce. With the challenges of the loss of certain materials (e.g. large-size timber), changes to use and function, declining craftsmanship, as well as changes to the setting, do we prioritise form and design and allow materials to be changed in an attempt to retain the spirit and feeling? Or are these futile efforts? How do we view authenticity?
Register at https://www.eventbrite.sg/e/the-nara-document-at-30-tickets-1086667163739