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These buildings are massive art pieces that are highly rich in Chinese traditional architecture character. With a building style based on Chinese traditional construction techniques, Shuang Lin Moanstery has received countless number of visitors and admirers throughout the years. However, the magnificent halls have suffered damages during the World War II and under adverse weather conditions. Even with multiple rounds of restoration, the longevity of Shuang Lin Monastery was hardly guaranteed. In 1991, the Shuang Lin Restoration and Preservation Committee was then formed with the responsibility of protecting the heriatage, and with the goal of restoring the grace of Shuang Lin. Restoration of a national historic site was a task of great significance. As such, the committee decided to channel all available resources of the monastery towards this highly difficult project and hire the experts on historical architecture from southern China as restoration consultants. The Chinese craftsmen would be responsible for the reconstruction process using traditional restoration techniques, while modern technologies were introduced to revamp the architectural complex. After 3 years of careful planning, the Mahavira Hall and the Hall of the Celestial Kings started restoration works in 1994. The rebuilding of the halls on the east and the west followed, and later on the mountain gate, the half-moon pond, the screen wall etc. The result of this project is the preservation of a Cong Lin Buddhist architecture that exists beyond China, and by extension, the preservation of Chinese cultural heritage in Singapore.
Let’s celebrate 30 years of ‘The Nara Document of Authenticity’ together!
Join us at the National Archives Singapore (Oldham Theatre) for a special event celebrating “The Nara Document of Authenticity (1994)” turning 30! This in-person symposium will feature speakers from Singapore, Taiwan, the United Kingdom, and the Philippines, highlighting the importance of this influential document in the field of architectural conservation. Don’t miss this opportunity to learn, connect, and celebrate with fellow enthusiasts!
The Nara Document has been instrumental in addressing the need for a broader understanding of cultural diversity and heritage. It expanded the 1964 Charter of Venice concept of respecting original material, thereby emphasising the retention of material fabric in its original state. The Nara Document’s “authenticity judgements … may include form and design, materials and substance, use and function, traditions and techniques, location and setting, and spirit and feeling, and other internal and external factors. The use of these sources permits [the] elaboration of the specific artistic, historic, social, and scientific dimensions of the cultural heritage being examined.”
Thirty years have passed since 1994. The world’s resources are getting scarce. With the challenges of the loss of certain materials (e.g. large-size timber), changes to use and function, declining craftsmanship, as well as changes to the setting, do we prioritise form and design and allow materials to be changed in an attempt to retain the spirit and feeling? Or are these futile efforts? How do we view authenticity?
Register at https://www.eventbrite.sg/e/the-nara-document-at-30-tickets-1086667163739