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One day, when Master Wei Miao, the abbot of Yi Shan Xi Chan monastery in Fuzhou was passing through Hui’an county, he visited QīngYīn monastery and shockingly saw how the Xiao family conscientiously carried out the Buddha’s practices. Moved by their genuine devotion, Master Wei Miao delivered a sermon that filled the whole family with happiness in the bliss of dharma. Out of respect for Master Wei Miao, the Xiao family held an ordination ceremony which Venerable Xian Hui and Xing Hui participated and became his disciples. Later, when Master Xian Hui established Shuang Lin Monastery, he modeled it after Yí Shān Xī Chán Monastery rebuilt by Master Wei Miao and became an affiliate of this one of the five largest Conglin monasteries in Southern China.
Let’s celebrate 30 years of ‘The Nara Document of Authenticity’ together!
Join us at the National Archives Singapore (Oldham Theatre) for a special event celebrating “The Nara Document of Authenticity (1994)” turning 30! This in-person symposium will feature speakers from Singapore, Taiwan, the United Kingdom, and the Philippines, highlighting the importance of this influential document in the field of architectural conservation. Don’t miss this opportunity to learn, connect, and celebrate with fellow enthusiasts!
The Nara Document has been instrumental in addressing the need for a broader understanding of cultural diversity and heritage. It expanded the 1964 Charter of Venice concept of respecting original material, thereby emphasising the retention of material fabric in its original state. The Nara Document’s “authenticity judgements … may include form and design, materials and substance, use and function, traditions and techniques, location and setting, and spirit and feeling, and other internal and external factors. The use of these sources permits [the] elaboration of the specific artistic, historic, social, and scientific dimensions of the cultural heritage being examined.”
Thirty years have passed since 1994. The world’s resources are getting scarce. With the challenges of the loss of certain materials (e.g. large-size timber), changes to use and function, declining craftsmanship, as well as changes to the setting, do we prioritise form and design and allow materials to be changed in an attempt to retain the spirit and feeling? Or are these futile efforts? How do we view authenticity?
Register at https://www.eventbrite.sg/e/the-nara-document-at-30-tickets-1086667163739