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However, the realization of this vision was met with another setback, as the second abbot Master Xing Hui passed away the following year (in 1902). Overwhelmed with grief of losing her son, Master Ci Miao (the mother of Master Xian Hui and Master Xing Hui) returned home with other nuns living with her. Before leaving for China, she ordered the erection of a monument where the origin of Lian Shan Shuang Lin Monastery, events concerning the first abbot and reason for the construction of Zhū Lín Temple were recorded. After Master Xing Hui’s passing, he was succeeded by his disciple Master Ming Guang who executed his teacher’s vision with diligence, thereby ensuring the completion of the Dharma hall and subsequently the Mahavira hall.
Let’s celebrate 30 years of ‘The Nara Document of Authenticity’ together!
Join us at the National Archives Singapore (Oldham Theatre) for a special event celebrating “The Nara Document of Authenticity (1994)” turning 30! This in-person symposium will feature speakers from Singapore, Taiwan, the United Kingdom, and the Philippines, highlighting the importance of this influential document in the field of architectural conservation. Don’t miss this opportunity to learn, connect, and celebrate with fellow enthusiasts!
The Nara Document has been instrumental in addressing the need for a broader understanding of cultural diversity and heritage. It expanded the 1964 Charter of Venice concept of respecting original material, thereby emphasising the retention of material fabric in its original state. The Nara Document’s “authenticity judgements … may include form and design, materials and substance, use and function, traditions and techniques, location and setting, and spirit and feeling, and other internal and external factors. The use of these sources permits [the] elaboration of the specific artistic, historic, social, and scientific dimensions of the cultural heritage being examined.”
Thirty years have passed since 1994. The world’s resources are getting scarce. With the challenges of the loss of certain materials (e.g. large-size timber), changes to use and function, declining craftsmanship, as well as changes to the setting, do we prioritise form and design and allow materials to be changed in an attempt to retain the spirit and feeling? Or are these futile efforts? How do we view authenticity?
Register at https://www.eventbrite.sg/e/the-nara-document-at-30-tickets-1086667163739