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The Mount Laṅkā in Ceylon was no doubt a place ideal for noble practices. Everyone was happy once they saw the peaceful environment around the mountain. Rapidly they built some cottages near the caves with the monks occupying one and the nuns another. For six years, they strived on untiringly in the path of cultivation. In 1897 Winter, Mr. Gao Wang Bang of Myanmar came and invited Master Xian Hui over to Myanmar for dharma talks after learning about his virtues and achievements. The Master agreed. In 1898, he brought his accompanying members along with him to Myanmar. Upon finishing the dharma talks there, they decided to return to China, but ended up arriving at Singapore and had an unusual encounter with Low Kim Pong.
Let’s celebrate 30 years of ‘The Nara Document of Authenticity’ together!
Join us at the National Archives Singapore (Oldham Theatre) for a special event celebrating “The Nara Document of Authenticity (1994)” turning 30! This in-person symposium will feature speakers from Singapore, Taiwan, the United Kingdom, and the Philippines, highlighting the importance of this influential document in the field of architectural conservation. Don’t miss this opportunity to learn, connect, and celebrate with fellow enthusiasts!
The Nara Document has been instrumental in addressing the need for a broader understanding of cultural diversity and heritage. It expanded the 1964 Charter of Venice concept of respecting original material, thereby emphasising the retention of material fabric in its original state. The Nara Document’s “authenticity judgements … may include form and design, materials and substance, use and function, traditions and techniques, location and setting, and spirit and feeling, and other internal and external factors. The use of these sources permits [the] elaboration of the specific artistic, historic, social, and scientific dimensions of the cultural heritage being examined.”
Thirty years have passed since 1994. The world’s resources are getting scarce. With the challenges of the loss of certain materials (e.g. large-size timber), changes to use and function, declining craftsmanship, as well as changes to the setting, do we prioritise form and design and allow materials to be changed in an attempt to retain the spirit and feeling? Or are these futile efforts? How do we view authenticity?
Register at https://www.eventbrite.sg/e/the-nara-document-at-30-tickets-1086667163739