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Low Kim Pong, the chief donor of Shuang Lin Monastery was born in a farmer’s family in Nanjing county, Zhangzhou city, Fujian province of China. When he was twenty years old, he left his home to make a living in Singapore. After becoming successful in small business, he opened a Chinese medicine store Chop Ban San, and later Chop Hock Nam that help provide low-interest loan to small businesses. In 1898, while Master Xian Hui and his group were sailing southward from Penang, Malaysia, Low Kim Pong and his son coincidentally saw a golden light shining from the west in their dream. The manifestation was so glorious and dignified that Low Kim Pong strongly believed it must be a revelation.
Let’s celebrate 30 years of ‘The Nara Document of Authenticity’ together!
Join us at the National Archives Singapore (Oldham Theatre) for a special event celebrating “The Nara Document of Authenticity (1994)” turning 30! This in-person symposium will feature speakers from Singapore, Taiwan, the United Kingdom, and the Philippines, highlighting the importance of this influential document in the field of architectural conservation. Don’t miss this opportunity to learn, connect, and celebrate with fellow enthusiasts!
The Nara Document has been instrumental in addressing the need for a broader understanding of cultural diversity and heritage. It expanded the 1964 Charter of Venice concept of respecting original material, thereby emphasising the retention of material fabric in its original state. The Nara Document’s “authenticity judgements … may include form and design, materials and substance, use and function, traditions and techniques, location and setting, and spirit and feeling, and other internal and external factors. The use of these sources permits [the] elaboration of the specific artistic, historic, social, and scientific dimensions of the cultural heritage being examined.”
Thirty years have passed since 1994. The world’s resources are getting scarce. With the challenges of the loss of certain materials (e.g. large-size timber), changes to use and function, declining craftsmanship, as well as changes to the setting, do we prioritise form and design and allow materials to be changed in an attempt to retain the spirit and feeling? Or are these futile efforts? How do we view authenticity?
Register at https://www.eventbrite.sg/e/the-nara-document-at-30-tickets-1086667163739